̽»¨Ö±²¥ of Cambridge - Sara Silvestri /taxonomy/people/sara-silvestri en ̽»¨Ö±²¥8th Cambridge Festival of Ideas launches /news/the-8th-cambridge-festival-of-ideas-launches <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/151019festivalofideas.jpg?itok=16Ie1vNS" alt="" title="Credit: None" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p> ̽»¨Ö±²¥packed two-week programme brings together many of the world’s leading thinkers and experts to tackle a series of critical issues, from privacy and the impact of technology to immigration and censorship, inspired by the theme of power and resistance.</p>&#13; &#13; <p>Headline speakers include Professors Lord Martin Rees, Dominic Lieven, David Runciman, John Macnicol and Rae Langton. They are joined by BBC’s Alan Yentob, author Peter Hitchens, photographers Toby Smith and Judith Aronson, journalists Ian Dunt and Emily Dugan, CEO of Index on Censorship Jodie Ginsberg, and musical innovators Asian Dub Foundation.   </p>&#13; &#13; <p>Social media and technology come under the spotlight, with events examining <a href="https://www.festival.cam.ac.uk/events/technologies-revolution-how-innovations-are-undermining-regimes-everywhere">how revolutionary movements interact with technologies</a> such as Facebook and Twitter; <a href="https://www.festival.cam.ac.uk/events/privacy-digital-age">issues of privacy</a> in today’s technology-dependent society – particularly relevant in view of whistleblower Edward Snowden’s recent revelations that security services can gain total access to user’s devices; and the advantages and disadvantages of computers that <a href="https://www.festival.cam.ac.uk/events/artificial-un-intelligence-future-we-do-not-want-may-already-be-here">predict our personalities</a> and interact with us intelligently, and the many ethical questions these topics raise.</p>&#13; &#13; <p>Political issues including the future of Europe and immigration are also at the heart this year’s Festival. On the theme of the future of Europe is the debate <a href="https://www.festival.cam.ac.uk/events/can-europe-keep-peace">Can Europe Keep the Peace?</a>  ̽»¨Ö±²¥speakers include historian Professor Robert Tombs; Montserrat Guibernau, Professor of Politics at Queen Mary ̽»¨Ö±²¥ of London and author of the forthcoming book Solidarity and Division in the EU; and Dr Chris Bickerton, a politics lecturer at the ̽»¨Ö±²¥ of Cambridge and author of the award-winning book European Integration: From Nation-States to Member States.</p>&#13; &#13; <p>Further political-themed events include <a href="https://www.festival.cam.ac.uk/events/can-writers-and-artists-ever-be-terrorists">Can Writers and Artists Ever Be Terrorists?</a> a debate with Professor Anthony Glees,  Director of the Centre for Security and Intelligence Studies at ̽»¨Ö±²¥ ̽»¨Ö±²¥ of Buckingham; Turkish artist and anti-censorship campaigner Pelin Basaran; Jodie Ginsberg, CEO of Index on Censorship; and Dr Sara Silvestri who specialises in radicalisation. ̽»¨Ö±²¥question of whether national broadcasters can be truly independent at a time of war is considered in the debate <a href="https://www.festival.cam.ac.uk/events/war-censorship-and-propaganda-does-it-work">War, Censorship and Propaganda</a>, with Professor Christopher Andrew, Official Historian of MI5; Professor David Welch, director of the Centre for the Study of Propaganda and War at the ̽»¨Ö±²¥ of Kent; Dr Peter Busch from King’s College London on the use of social media for propaganda purposes; and Caroline Wyatt, former defence correspondent at the BBC.</p>&#13; &#13; <p>A key Festival highlight is the 24-hour event, <a href="https://www.festival.cam.ac.uk/events/arena-night-and-day">Arena: night and day</a>. For one day and one night Arena infiltrates Cambridge in a series of pop-up locations showing the likes of Bob Dylan, Francis Bacon, Sister Wendy, Harold Pinter, Bob Marley, T.S. Eliot and Luis Bunuel to name just a few. Following the filmic inundation of Cambridge, members of the team will discuss the secrets of the programme’s success and the <a href="https://www.festival.cam.ac.uk/events/bbc-arena-40-past-present-and-future-public-service-broadcasting">future of public service broadcasting</a> with Cambridge ̽»¨Ö±²¥ film experts and the BBC’s Alan Yentob. ̽»¨Ö±²¥talk will consider new broadcasting formats and platforms, for instance online, and critical partnerships with universities and communities, seeking core interaction between the best research and best creatives.</p>&#13; &#13; <p>Gender issues continue to be contentious and the Festival debates some of the current issues in a number of events including a panel discussion that explores the implications of <a href="https://www.festival.cam.ac.uk/events/rebellious-bodies-faithful-minds-religion-and-gender-identity">trans identities for religious faith</a>, with speaker Reverend Christina Beardsley. In addition, Dr Julia Long will take a look at the nature and prevalence of mainstream <a href="https://www.festival.cam.ac.uk/events/pornography-feminism-and-resistance">pornography</a>, considering its impact and effects, and raising critical questions regarding feminist resistance within an increasingly pornified society.</p>&#13; &#13; <p>Talks on several <strong>new books</strong> are a key highlight of this year’s Festival:</p>&#13; &#13; <ul><li>Author Bidisha and award-winning journalist Emily Dugan will be in conversation about their new books on the lives of <a href="https://www.festival.cam.ac.uk/events/new-home-asylum-immigration-and-exile-todays-britain">refugees and immigrants</a> who have made it to the UK, the books go behind the headlines to reveal the personal dramas of ordinary men and women trying to make a new life in the UK.</li>&#13; <li>Professor John Macnicol will be discussing his new book (due out this week), which examines the effect of <a href="https://www.festival.cam.ac.uk/events/neoliberalising-old-age">neoliberalism</a> on the recent ageing and social policy agenda in the UK and the USA. ̽»¨Ö±²¥book outlines past theories of old age and examines pensions reform, the debate on life expectancy gains, the causes of retirement, the idea of intergenerational equity, the current debate on ageism/age discrimination and the likely human consequences of raising state pension ages.</li>&#13; <li>Paul Wallace, a leading commentator on the economics of the European Union, will also be talking about his new book, <a href="https://www.festival.cam.ac.uk/events/euro-experiment"><em> ̽»¨Ö±²¥Euro Experiment</em></a>, which explains how and why the euro crisis happened, and the implications for the economic and political future of Europe.</li>&#13; <li>Professor Ulinka Rublack's new book, <a href="https://www.festival.cam.ac.uk/events/astronomer-and-witch"><em> ̽»¨Ö±²¥Astronomer and the Witch: Johannes Kepler’s Defence of his Mother</em></a> (due out this month), tells the shocking story of how the mother of the famous scientist Kepler was accused of witchcraft. In conversation with Juliet Mitchell, the author explores historical resistance to women as well as ways in which families have been implicated in mechanisms of power.</li>&#13; </ul><p>Established in 2008, Cambridge Festival of Ideas aims to fuel the public’s interest in arts, humanities and social sciences. ̽»¨Ö±²¥events, ranging from talks, debates and film screenings to exhibitions and comedy nights, are held in lecture halls, theatres, museums and galleries around Cambridge. Of the over 250 events at the Festival, most are free.</p>&#13; &#13; <p> ̽»¨Ö±²¥Festival sponsors and partners are Cambridge ̽»¨Ö±²¥ Press, St John’s College, Anglia Ruskin ̽»¨Ö±²¥, RAND Europe, Arts and Humanities Research Council (AHRC), Cambridge Live, ̽»¨Ö±²¥ of Cambridge Museums and Botanic Garden, Arts Council England, Cambridge Junction, British Science Association, Heritage Lottery Fund, Heffers, WOW Festival, Southbank Centre, Collusion, TTP Group, Goethe Institut, Index on Censorship and BBC Cambridgeshire.</p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>Cambridge Festival of Ideas 2015 launches today with over 250 events exploring arts, society and culture.</p>&#13; </p></div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="https://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br />&#13; ̽»¨Ö±²¥text in this work is licensed under a <a href="https://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>. For image use please see separate credits above.</p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Mon, 19 Oct 2015 10:13:00 +0000 Anonymous 160342 at No Curia for old age: the radical act of papal resignation /research/discussion/no-curia-for-old-age-the-radical-act-of-papal-resignation <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/46034300777c1cc3569ab.jpg?itok=jfrGgbnZ" alt="Pope Benedict XVI prays in front of the image of Our Lady of Fatima after arriving to catholic Fatima shrine in central Portugal, May 12, 2010" title="Pope Benedict XVI prays in front of the image of Our Lady of Fatima after arriving to catholic Fatima shrine in central Portugal, May 12, 2010, Credit: Catholic Church (England and Wales) from Flickr" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>On a first level of analysis, Benedict’s shocking announcement would seem to contradict the image of the papacy as left by his predecessor. John Paul II kept heading the global Catholic Church despite old age and the major illnesses that characterised the last few years of his pontificate. This begs the question as to whether the two popes held different views of the institution they represented.</p>&#13; <p>Intrinsically, the two are not as divergent as they might appear. Each gesture, in its own ways, sent an important message about the recognition of the frailty and limits of the human condition while simultaneously recognising the huge responsibility and immense tasks that come with taking on the role of head of the Catholic Church.</p>&#13; <p>Both popes have answered in a responsible and humble manner to their own experience of old age – showing deep appreciation for the role of leadership they were tasked with. They have both acted by doing what they thought was best for the universal church rather than for themselves.</p>&#13; <p>John Paul clearly wanted to highlight the respect for old age and even when he could no longer speak allowed his own infirm body to criticise euthanasia. Benedict has demonstrated his respect for the Petrine ministry (the mission of the successor of Saint Peter, who was entrusted by Jesus with leading the Christian community) by deciding to withdraw because he recognised that his body was no longer up to fulfilling as necessary – for the good of the Church – the important tasks and difficulties that lie ahead.</p>&#13; <p>For many, both popes have reinforced the symbolic meaning of the papacy, to reiterate that in the Catholic doctrine, this role of authority is not based on human assurances but on Christ.</p>&#13; <p>It could be said that, for Benedict, the divine gift of human freedom has been in a way celebrated by his very decision to abdicate after a long reflection.</p>&#13; <p>A similar message both highlighting the limits of human nature but also the gift of free will came only a few months ago from another key figure of the Catholic Church, who was also widely appreciated beyond Catholic and Christian circles – Cardinal Carlo Maria Martini. This progressive Cardinal was known for his critical views of the bureaucracy of the Church, and for being miles away from Benedict in orientation.</p>&#13; <p>Yet the two figures seem to reconnect in the radical gestures they both made at the end of their lives (the physical life of Martini and the institutional life of Benedict). At the last stages of his life, gravely affected by Parkinson’s disease, the Italian Cardinal asked the doctors to turn off the machine that was keeping him alive as he wanted to meet God through a natural death.</p>&#13; <p>This decision raised lots of controversy and criticism within the church, as it was understood as almost an endorsement of euthanasia. For me, this is not what Martini intended. Rather, in the opposite way to John Paul II, and in a similar way to the decision Benedict has just taken, he also insisted on accepting the limited quality of human life compared to the eternal love, justice and perfection of God.</p>&#13; <p>Benedict and Martini have both made an independent and free radical decision that could be interpreted as the celebration of the gift of free will. ̽»¨Ö±²¥two decisions could be read as practical indications that it is possible to witness one’s Christian faith and to serve the Church by stepping beyond its conventions and structures and by stepping down from power.</p>&#13; <p>One figure has been identified with traditionalism and conservatism, the other with progressive thinking. Yet, through their radical actions, the two prelates might have come to the same conclusion about the need to shake the structures of the Church, and may have contributed to the first steps towards reforming and renewing the Catholic Church.</p>&#13; <p>More information on Dr Silvestri’s research can be found on the Von Hugel Institute  website <a href="https://www.vhi.st-edmunds.cam.ac.uk/directory/silvestri">here</a>.</p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>Dr Sara Silvestri, a specialist in religion and politics and a Research Associate with the Von Hügel Institute, St Edmund’s College, examines the implications of the resignation of Benedict XVI for the institutional role of the pope and the future of the Catholic Church.</p>&#13; </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">It could be said that, for Benedict, the divine gift of human freedom has been in a way celebrated by his very decision to abdicate after a long reflection</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Sara Silvestri</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="https://www.flickr.com/photos/catholicism/4603430077/" target="_blank">Catholic Church (England and Wales) from Flickr</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Pope Benedict XVI prays in front of the image of Our Lady of Fatima after arriving to catholic Fatima shrine in central Portugal, May 12, 2010</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="" src="/sites/www.cam.ac.uk/files/80x15.png" style="width: 80px; height: 15px;" /></a></p>&#13; <p>This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/">Creative Commons Licence</a>. If you use this content on your site please link back to this page.</p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div><div class="field field-name-field-license-type field-type-taxonomy-term-reference field-label-above"><div class="field-label">Licence type:&nbsp;</div><div class="field-items"><div class="field-item even"><a href="/taxonomy/imagecredit/attribution-noncommercial-sharealike">Attribution-Noncommercial-ShareAlike</a></div></div></div> Fri, 15 Feb 2013 14:49:15 +0000 fpjl2 70752 at