ֱ̽ of Cambridge - Roman /taxonomy/subjects/roman en Extreme drought contributed to barbarian invasion of late Roman Britain, tree-ring study reveals /research/news/extreme-drought-contributed-to-barbarian-invasion-of-late-roman-britain-tree-ring-study-reveals <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/research/news/milecastle-39-on-hadrians-wall-credit-adam-cuerden-via-flikr-885x428.jpg?itok=eluoasIb" alt="Milecastle 39 on Hadrian&#039;s Wall" title="Milecastle 39 on Hadrian&amp;#039;s Wall, Credit: Adam Cuerden" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p> ֱ̽‘Barbarian Conspiracy’ of 367 CE was one of the most severe threats to Rome’s hold on Britain since the Boudiccan revolt three centuries earlier. Contemporary sources indicate that components of the garrison on Hadrian’s wall rebelled and allowed the Picts to attack the Roman province by land and sea. Simultaneously, the Scotti from modern-day Ireland invaded broadly in the west, and Saxons from the continent landed in the south.</p> <p>Senior Roman commanders were captured or killed, and some soldiers reportedly deserted and joined the invaders. Throughout the spring and summer, small groups roamed and plundered the countryside. Britain’s descent into anarchy was disastrous for Rome and it took two years for generals dispatched by Valentian I, Emperor of the Western Roman Empire, to restore order. ֱ̽final remnants of official Roman administration left Britain some 40 years later around 410 CE.</p> <p> ֱ̽ ֱ̽ of Cambridge-led study, published today in <a href="https://link.springer.com/article/10.1007/s10584-025-03925-4"><em>Climatic Change</em></a>, used oak tree-ring records to reconstruct temperature and precipitation levels in southern Britain during and after the ‘Barbarian Conspiracy’ in 367 CE. Combining this data with surviving Roman accounts, the researchers argue that severe summer droughts in 364, 365 and 366 CE were a driving force in these pivotal events.</p> <p>First author Charles Norman, from Cambridge’s Department of Geography, said: “We don’t have much archaeological evidence for the ‘Barbarian Conspiracy’. Written accounts from the period give some background, but our findings provide an explanation for the catalyst of this major event.”</p> <p> ֱ̽researchers found that southern Britain experienced an exceptional sequence of remarkably dry summers from 364 to 366 CE. In the period 350 to 500 CE, average monthly reconstructed rainfall in the main growing season (April–July) was 51 mm. But in 364 CE, it fell to just 29mm. 365 CE was even worse with 28mm, and 37mm the following year kept the area in crisis.</p> <p>Professor Ulf Büntgen, from Cambridge’s Department of Geography, said: “Three consecutive droughts would have had a devastating impact on the productivity of Roman Britain’s most important agricultural region. As Roman writers tell us, this resulted in food shortages with all of the destabilising societal effects this brings.”</p> <p>Between 1836 and 2024 CE, southern Britain only experienced droughts of a similar magnitude seven times – mostly in recent decades, and none of these were consecutive, emphasising how exceptional these droughts were in Roman times. ֱ̽researchers identified no other major droughts in southern Britain in the period 350–500 CE and found that other parts of northwestern Europe escaped these conditions.</p> <p>Roman Britain’s main produce were crops like spelt wheat and six-row barley. Because the province had a wet climate, sowing these crops in spring was more viable than in winter, but this made them vulnerable to late spring and early summer moisture deficits, and early summer droughts could lead to total crop failure.</p> <p> ֱ̽researchers point to surviving accounts written by Roman chroniclers to corroborate these drought-driven grain deficits. By 367 CE, Ammianus Marcellinus described the population of Britain as in the ‘utmost conditions of famine’.</p> <p>“Drought from 364 to 366 CE would have impacted spring-sown crop growth substantially, triggering poor harvests,” Charles Norman said. “This would have reduced the grain supply to Hadrian’s Wall, providing a plausible motive for the rebellion there which allowed the Picts into northern Britain.”</p> <p> ֱ̽study suggests that given the crucial role of grain in the contract between soldiers and the army, grain deficits may have contributed to other desertions in this period, and therefore a general weakening of the Roman army in Britain. In addition, the geographic isolation of Roman Britain likely combined with the severity of the prolonged drought to reduce the ability of Rome to alleviate the deficits.</p> <p>Ultimately the researchers argue that military and societal breakdown in Roman Britain provided an ideal opportunity for peripheral tribes, including the Picts, Scotti and Saxons, to invade the province en masse with the intention of raiding rather than conquest. Their finding that the most severe conditions were restricted to southern Britain undermines the idea that famines in other provinces might have forced these tribes to invade.</p> <p>Andreas Rzepecki, from the Generaldirektion Kulturelles Erbe Rheinland-Pfalz, said: “Our findings align with the accounts of Roman chroniclers and the seemingly coordinated nature of the ‘Conspiracy’ suggests an organised movement of strong onto weak, rather than a more chaotic assault had the invaders been in a state of desperation.”</p> <p>“ ֱ̽prolonged and extreme drought seems to have occurred during a particularly poor period for Roman Britain, in which food and military resources were being stripped for the Rhine frontier, while immigratory pressures increased.”</p> <p>“These factors limited resilience, and meant a drought induced, partial-military rebellion and subsequent external invasion were able to overwhelm the weakened defences.”</p> <p> ֱ̽researchers expanded their climate-conflict analysis to the entire Roman Empire for the period 350–476 CE. They reconstructed the climate conditions immediately before and after 106 battles and found that a statistically significant number of battles were fought following dry years.</p> <p>Tatiana Bebchuk, from Cambridge’s Department of Geography, said: “ ֱ̽relationship between climate and conflict is becoming increasingly clear in our own time so these findings aren’t just important for historians. Extreme climate conditions lead to hunger, which can lead to societal challenges, which eventually lead to outright conflict.”</p> <p>Charles Norman, Ulf Büntgen, Paul Krusic and Tatiana Bebchuk are based at the Department of Geography, ֱ̽ of Cambridge; Lothar Schwinden and Andreas Rzepecki are from the Generaldirektion Kulturelles Erbe Rheinland-Pfalz in Trier. Ulf Büntgen is also affiliated with the Global Change Research Institute, Czech Academy of Sciences and the Department of Geography, Masaryk ֱ̽ in Brno.</p> <h3>Reference</h3> <p><em>C Norman, L Schwinden, P Krusic, A Rzepecki, T Bebchuk, U Büntgen, ‘<a href="https://link.springer.com/article/10.1007/s10584-025-03925-4">Droughts and conflicts during the late Roman period</a>’, Climatic Change (2025). DOI: 10.1007/s10584-025-03925-4</em></p> <h3>Funding</h3> <p>Charles Norman was supported by Wolfson College, ֱ̽ of Cambridge (John Hughes PhD Studentship). Ulf Büntgen received funding from the Czech Science Foundation (# 23-08049S; Hydro8), the ERC Advanced Grant (# 882727; Monostar), and the ERC Synergy Grant (# 101118880; Synergy-Plague).</p> </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>Three consecutive years of drought contributed to the ‘Barbarian Conspiracy’, a pivotal moment in the history of Roman Britain, a new Cambridge-led study reveals. Researchers argue that Picts, Scotti and Saxons took advantage of famine and societal breakdown caused by an extreme period of drought to inflict crushing blows on weakened Roman defences in 367 CE. While Rome eventually restored order, some historians argue that the province never fully recovered.</p> </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">Our findings provide an explanation for the catalyst of this major event.</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Charles Norman</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="https://commons.wikimedia.org/wiki/File:Milecastle_39_on_Hadrian&#039;s_Wall.jpg" target="_blank">Adam Cuerden</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Milecastle 39 on Hadrian&#039;s Wall</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="https://creativecommons.org/licenses/by-nc-sa/4.0/" rel="license"><img alt="Creative Commons License." src="/sites/www.cam.ac.uk/files/inner-images/cc-by-nc-sa-4-license.png" style="border-width: 0px; width: 88px; height: 31px;" /></a><br /> ֱ̽text in this work is licensed under a <a href="https://creativecommons.org/licenses/by-nc-sa/4.0/">Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License</a>. Images, including our videos, are Copyright © ֱ̽ of Cambridge and licensors/contributors as identified. All rights reserved. We make our image and video content available in a number of ways – on our <a href="/">main website</a> under its <a href="/about-this-site/terms-and-conditions">Terms and conditions</a>, and on a <a href="/about-this-site/connect-with-us">range of channels including social media</a> that permit your use and sharing of our content under their respective Terms.</p> </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div><div class="field field-name-field-license-type field-type-taxonomy-term-reference field-label-above"><div class="field-label">Licence type:&nbsp;</div><div class="field-items"><div class="field-item even"><a href="/taxonomy/imagecredit/public-domain">Public Domain</a></div></div></div> Thu, 17 Apr 2025 06:00:00 +0000 ta385 249332 at Drought encouraged Attila’s Huns to attack the Roman empire, tree rings suggest /research/news/drought-encouraged-attilas-huns-to-attack-the-roman-empire-tree-rings-suggest <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/research/news/devinska-kobyla-forest-steppe-in-slovakia-credit-stefan-lefnaer-cc-attribution-share-alike-3-0.jpg?itok=WXREHtpe" alt="Devínska Kobyla Forest steppe in Slovakia" title="Devínska Kobyla Forest steppe in Slovakia, Credit: Stefan Lefnaer" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>Hungary has just experienced its driest summer since meteorological measurements began, devastating the country’s usually productive farmland. Archaeologists now suggest that similar conditions in the 5th century may have encouraged animal herders to become raiders, with devastating consequences for the Roman empire.</p> <p> ֱ̽study, published in the <em>Journal of Roman Archaeology</em>, argues that extreme drought spells from the 430s – 450s CE disrupted ways of life in the Danube frontier provinces of the eastern Roman empire, forcing Hunnic peoples to adopt new strategies to ‘buffer against severe economic challenges’.</p> <p> ֱ̽authors, Associate Professor Susanne Hakenbeck from Cambridge’s Department of Archaeology and Professor Ulf Büntgen from the ֱ̽’s Department of Geography, came to their conclusions after assessing a new tree ring-based hydroclimate reconstruction, as well as archaeological and historical evidence.</p> <p> ֱ̽Hunnic incursions into eastern and central Europe in the 4th and 5th centuries CE have long been viewed as the initial crisis that triggered the so-called ‘Great Migrations’ of ‘Barbarian Tribes’, leading to the fall of the Roman empire. But where the Huns came from and what their impact on the late Roman provinces actually was unclear.</p> <p>New climate data reconstructed from tree rings by Prof Büntgen and colleagues provides information about yearly changes in climate over the last 2000 years. It shows that Hungary experienced episodes of unusually dry summers in the 4th and 5th centuries. Hakenbeck and Büntgen point out that climatic fluctuations, in particular drought spells from 420 to 450 CE, would have reduced crop yields and pasture for animals beyond the floodplains of the Danube and Tisza.</p> <p>Büntgen said: “Tree ring data gives us an amazing opportunity to link climatic conditions to human activity on a year-by-year basis. We found that periods of drought recorded in biochemical signals in tree-rings coincided with an intensification of raiding activity in the region.”</p> <p>Recent isotopic analysis of skeletons from the region, including by Dr Hakenbeck, suggests that Hunnic peoples responded to climate stress by migrating and by mixing agricultural and pastoral diets.</p> <p>Hakenbeck said: “If resource scarcity became too extreme, settled populations may have been forced to move, diversify their subsistence practices and switch between farming and mobile animal herding. These could have been important insurance strategies during a climatic downturn.”</p> <p>But the study also argues that some Hunnic peoples dramatically changed their social and political organization to become violent raiders.</p> <p><strong>From herders to raiders</strong></p> <p>Hunnic attacks on the Roman frontier intensified after Attila came to power in the late 430s. ֱ̽Huns increasingly demanded gold payments and eventually a strip of Roman territory along the Danube. In 451 CE, the Huns invaded Gaul and a year later they invaded northern Italy.</p> <p>Traditionally, the Huns have been cast as violent barbarians driven by an “infinite thirst for gold”. But, as this study points out, the historical sources documenting these events were primary written by elite Romans who had little direct experience of the peoples and events they described.</p> <p>“Historical sources tell us that Roman and Hun diplomacy was extremely complex,” Dr Hakenbeck said. “Initially it involved mutually beneficial arrangements, resulting in Hun elites gaining access to vast amounts of gold. This system of collaboration broke down in the 440s, leading to regular raids of Roman lands and increasing demands for gold.”</p> <p> ֱ̽study argues that if current dating of events is correct, the most devastating Hunnic incursions of 447, 451 and 452 CE coincided with extremely dry summers in the Carpathian Basin.</p> <p>Hakenbeck said: “Climate-induced economic disruption may have required Attila and others of high rank to extract gold from the Roman provinces to keep war bands and maintain inter-elite loyalties. Former horse-riding animal herders appear to have become raiders.”</p> <p>Historical sources describe the Huns at this time as a highly stratified group with a military organization that was difficult to counter, even for the Roman armies.</p> <p> ֱ̽study suggests that one reason why the Huns attacked the provinces of Thrace and Illyricum in 422, 442, and 447 CE was to acquire food and livestock, rather than gold, but accepts that concrete evidence is needed to confirm this. ֱ̽authors also suggest that Attila demanded a strip of land ‘five days’ journey wide’ along the Danube because this could have offered better grazing in a time of drought.</p> <p>“Climate alters what environments can provide and this can lead people to make decisions that affect their economy, and their social and political organization," Hakenbeck said. "Such decisions are not straightforwardly rational, nor are their consequences necessarily successful in the long term.”</p> <p>“This example from history shows that people respond to climate stress in complex and unpredictable ways, and that short-term solutions can have negative consequences in the long term.”</p> <p>By the 450s CE, just a few decades of their appearance in central Europe, the Huns had disappeared. Attila himself died in 453 CE.</p> <p> </p> <p><strong>Reference</strong></p> <p><em>S.E. Hakenbeck &amp; U. Büntgen, ‘<a href="https://www.cambridge.org/core/journals/journal-of-roman-archaeology/article/role-of-drought-during-the-hunnic-incursions-into-centraleast-europe-in-the-4th-and-5th-c-ce/C036810C421F7D04C2F6985E6B548F20"> ֱ̽role of drought during the Hunnic incursions into central-east Europe in the 4th and 5th centuries CE</a>’, Journal of Roman Archaeology (2022). DOI: 10.1017/S1047759422000332</em></p> </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>Hunnic peoples migrated westward across Eurasia, switched between farming and herding, and became violent raiders in response to severe drought in the Danube frontier provinces of the Roman empire, a new study argues.</p> </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">People respond to climate stress in complex and unpredictable ways</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Susanne Hakenbeck</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="https://commons.wikimedia.org/wiki/File:Thebner_Kogel_sl1.jpg" target="_blank">Stefan Lefnaer</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Devínska Kobyla Forest steppe in Slovakia</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br /> ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>. Images, including our videos, are Copyright © ֱ̽ of Cambridge and licensors/contributors as identified.  All rights reserved. We make our image and video content available in a number of ways – as here, on our <a href="/">main website</a> under its <a href="/about-this-site/terms-and-conditions">Terms and conditions</a>, and on a <a href="/about-this-site/connect-with-us">range of channels including social media</a> that permit your use and sharing of our content under their respective Terms.</p> </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div><div class="field field-name-field-license-type field-type-taxonomy-term-reference field-label-above"><div class="field-label">Licence type:&nbsp;</div><div class="field-items"><div class="field-item even"><a href="/taxonomy/imagecredit/attribution-sharealike">Attribution-ShareAlike</a></div></div></div> Thu, 15 Dec 2022 09:00:00 +0000 ta385 235731 at New Cambridge Latin course reflects diversity of the Roman world /research/news/new-cambridge-latin-course-reflects-diversity-of-the-roman-world <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/cam-latin-course-1.jpg?itok=3oSKG6Sb" alt="Characters from the Cambridge Latin Course, Book One" title="Characters from the Cambridge Latin Course, Book One, Credit: Characters from the Cambridge Latin Course, Book One" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><strong><em>Breaking news from 79 CE: Caecilius has a daughter. Barbillus is a Greco-Syrian man of colour. Enslaved people aren’t always happy. Metella is reading in the atrium.</em></strong></p>&#13; &#13; <p>These statements may read like indecipherable babble to some, but for students of Latin, they are among the most notable changes in the new edition of the <a href="https://www.cambridgescp.com/clc-5th-edition">Cambridge Latin Course</a>: the leading textbook in the ancient language.</p>&#13; &#13; <p> ֱ̽course, a mainstay of Latin learning in British schools since the 1970s, has something nearing cult status with its fans. Its vivid stories, beginning in Book One with the adventures of a Pompeiian family featuring Caecilius, his wife, Metella, son, Quintus, and cook, Grumio, have inspired fan fiction, artistic tributes and even a cameo on Doctor Who.</p>&#13; &#13; <p> ֱ̽newly-published fifth edition represents one of the most significant new editions in its 50-year history. It draws on a wider range of sources and on new scholarship to give a more accurate, evidence-based picture of the classical world. In doing so, it better prepares students to engage with classical works and to think critically about the past, while addressing concerns raised by teachers, academics and students about the representation of women, enslaved people, and minorities in the Roman world.</p>&#13; &#13; <p>While the original cast are as central as ever, new characters have been introduced, stories rewritten and features updated. Women have greater prominence (Caecilius has a new daughter called Lucia, for example), readers learn more about the lives of enslaved people, and the multicultural reality of Rome’s vast, intercontinental empire is represented in greater detail.</p>&#13; &#13; <p> ֱ̽course, written by the <a href="https://www.cambridgescp.com/">Cambridge Schools Classics Project</a> at the ֱ̽ of Cambridge, has been informed by a fact-finding exercise in 2018 which involved school visits, surveys and interviews with hundreds of teachers and pupils, confirmed other long-held doubts about representation in the course books, prompting a more thorough reassessment.</p>&#13; &#13; <p>Caroline Bristow, director of the Cambridge School Classics Project, said: “ ֱ̽aim has always been to introduce students to the complexity of the Roman world and get them to think critically about it while learning Latin. That prepares them to engage more thoroughly with authentic classical sources. ֱ̽feedback we got told us we weren’t doing enough in that regard.”</p>&#13; &#13; <p>Girls were especially keen to see more of the female characters – many had already started inventing their own backstories for them.</p>&#13; &#13; <p> ֱ̽stories in the new edition are, as ever, rooted in historical research, but expand women’s roles and devote more attention to their lived experiences. Lucia, for example, is being pushed into an arranged marriage in Book One. Caecilius also hires a female painter, Clara, to introduce students to the fact that poorer Roman women had to work as well as men.</p>&#13; &#13; <p>Bristow said: “We wanted to provide students with a more rounded picture of people and events, while ensure the stories remain historically grounded. We’ve done that by drawing from that wider range of sources and events.”</p>&#13; &#13; <p>This also helps to address the challenges that inclusion, access and minority representation can present for Classics educators. In particular, research highlights the imposter syndrome that people of colour feel when encountering the inaccurate, but standard, depiction of Rome as predominantly white. Other studies have shown that without being prompted to see diversity, even students of colour automatically make this assumption about the Roman world – a finding backed up by teachers’ experiences in the classroom.</p>&#13; &#13; <p>Responding to this, greater attention was given to cultural diversity in the new edition. For example, Barbillus, a wealthy Greco-Syrian merchant character, features more prominently and is clearly presented as a person of colour. His early presence in the stories is partly intended to challenge another general misconception, that such people were always enslaved.</p>&#13; &#13; <p>Jasmine Elmer, a Classics educator and media personality whose work focuses on trying to broaden access to, and understanding of, the ancient past, was one of several experts who reviewed the new edition. “We’ve tended to take an all-white view of an empire that clearly wasn’t,” she said. “If you’re a person of colour, it’s natural to wonder whether people like you were even there. ֱ̽new course seems to be braver about those issues. It doesn’t run away from complicated subject matter; it turns it into teaching points.”</p>&#13; &#13; <p>Enslaved characters were, in earlier editions, sometimes depicted in simplistic terms: as “happy”, “hard-working” or “lazy”. In the new edition, slavery is now depicted through the eyes of its victims, focusing on their anxieties and gruelling lives.</p>&#13; &#13; <p>Other changes reflect developments in historical scholarship since the series was last updated. Ingo Gildenhard, a Professor of Classics at Cambridge, advised the production team on a section on gladiators in Book One. Traditionally, gladiatorial combat has been presented as a strange, bloodthirsty aspect of Roman culture. Without ignoring its horrors, modern research nonetheless shows the reality was more complex: arena combat also stirred Roman audiences because it reinforced key contemporary values, such as martial prowess.</p>&#13; &#13; <p>Teaching materials in the new edition draw attention to that more nuanced perspective. “It’s essential that instead of brushing aspects of Roman culture under the carpet, we look at it in the round,” Gildenhard said. “Part of this is about empowering teachers with new scholarship they might not have encountered. It’s also about inviting students to think critically about the past and its relationship to the present. That’s a valuable skill whether or not you end up doing Latin long term.”</p>&#13; &#13; <p>Pupils and teachers have tested the new edition and responded positively. One young reviewer told the team: “I like that Lucia is educated, but I would like to know whether she actually wants to marry or not.” Of Clara, another commented: “It’s good that Caecilius is hiring women”.</p>&#13; &#13; <p>Bristow said: “We sometimes get told that children just want to learn the language, study the amazing things Romans did and dress up as gladiators,” she said. “There’s lots that was inspiring, but this was a complex world. We’re teaching children to be Classicists. We’re not teaching them to be Romans.”</p>&#13; &#13; <p> </p>&#13; &#13; <p>This story was first published by <a href="https://news.educ.cam.ac.uk/update-of-leading-latin-course">Cambridge's Faculty of Education</a>.<br />&#13;  </p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p> ֱ̽latest edition of the leading Latin course has been designed to more accurately depict the roles of women, minorities and enslaved people in the Roman world.</p>&#13; </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">It’s essential that instead of brushing aspects of Roman culture under the carpet, we look at it in the round</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Ingo Gildenhard</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/" target="_blank">Characters from the Cambridge Latin Course, Book One</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Characters from the Cambridge Latin Course, Book One</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br />&#13; ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>. Images, including our videos, are Copyright © ֱ̽ of Cambridge and licensors/contributors as identified.  All rights reserved. We make our image and video content available in a number of ways – as here, on our <a href="/">main website</a> under its <a href="/about-this-site/terms-and-conditions">Terms and conditions</a>, and on a <a href="/about-this-site/connect-with-us">range of channels including social media</a> that permit your use and sharing of our content under their respective Terms.</p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Mon, 11 Jul 2022 10:41:49 +0000 ta385 233271 at Road radar to reveal York's Roman secrets /research/news/road-radar-to-reveal-yorks-roman-secrets <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/research/news/york590x288.jpg?itok=iY4n2GBa" alt="View of the city of York in England including walls and cathedral" title="View of the city of York in England including walls and cathedral, Credit: None" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>Did the Romans alter their legionary fortress at Eboracum in the late Antique period? What was the settlement around it like and how did this change? Did Eboracum receive a makeover when emperors came to town?</p>&#13; &#13; <p>These are just some of the questions which Cambridge archaeologist Professor Martin Millett and his colleagues hope to answer without lifting a single spade or trowel.</p>&#13; &#13; <p>Over summer 2022, a vehicle equipped with specialist radar equipment will survey 20km of streets around York – the first time a project on this scale has been undertaken in the UK. ֱ̽team behind the scheme are working with City of York Council to access as much of the city centre road network as possible, including some pedestrianised streets, during the survey, with minimal disruption to the public.</p>&#13; &#13; <p>Alongside the road surveys, a different radar system will scan the green spaces in the city centre, particularly around the Yorkshire Museum and York Minster.</p>&#13; &#13; <p> ֱ̽initiative is a joint project between Universities of Cambridge and Reading, York Archaeology and the York Museums Trust funded by the Arts &amp; Humanities Research Council (AHRC). ֱ̽30-month-long project aims to collate everything archaeologists and historians know about the whole of Roman York into a single database which will then be made freely available to the public.</p>&#13; &#13; <p>Among many other things, the team will be looking for evidence of Eboracum's architecture and infrastructure being enhanced during periods of imperial residence (AD 208–11 and AD 305-06), or following York’s promotion to colonial status in the early 3rd century. They are also hoping to find evidence for changes in the organization and use of land in the immediate environs of York through the Roman period.</p>&#13; &#13; <p>Alongside the research there will be a series of public engagement projects including volunteer-run research projects, an art initiative and a project for schools around the country linking research findings to geography, physics, geology and archaeology.</p>&#13; &#13; <p> ֱ̽radar mapping exercise will start in the summer, with dry weather being crucial to the success of the scanning, as the radar can only penetrate down to the water table, which is notoriously high for much of the year in York.</p>&#13; &#13; <p>Project leader Martin Millett, Laurence Professor of Classical Archaeology at Cambridge and a trustee of York Archaeological Trust, said: “This is a key initiative where we hope to learn much more about the layout of the Roman city without having to dig a single trench.”</p>&#13; &#13; <p>Co-investigator Dr John Creighton of the ֱ̽ of Reading said: “Over many years, various investigations have opened small windows into different parts of the Roman city, but we hope that this scanning will reveal far more about the city including details where the roads and significant buildings in the city were located, particularly around Micklegate.”</p>&#13; &#13; <p> ֱ̽wider research will bring together not only the results of archaeological excavations over the last 50 years, but also other less formal sources of information, including historic press reports of Roman finds, notebooks and published reports from the 18th century onwards. It is hoped that volunteers from across the community will be involved.</p>&#13; &#13; <p>Cllr Darryl Smalley, Executive Member for Culture, Leisure and Communities at City of York Council, said: “This exciting new project will provide a new basis for understanding of Roman York and will enhance the ways in which the City can assess the impact of planning and future development on this valuable but hidden heritage.”</p>&#13; &#13; <p>Updates on the project will be posted on <a href="https://www.yorkarchaeology.co.uk/romanyork">yorkarchaeology.co.uk/romanyork</a></p>&#13; &#13; <p>Professor Millett recently led the team which successfully mapped a complete Roman city, Falerii Novi, in Italy, using the same technology. This research received global media coverage. <a href="/stories/roman-city-rises">Find out more here</a>.</p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p> ֱ̽biggest investigation ever undertaken into Eboracum, the Roman city buried beneath York, is set to begin this summer. Ground penetrating radar will be used to map as much of the influential ancient settlement as possible in a bid to learn more about its evolving layout and use.</p>&#13; </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">We hope to learn much more about the layout of the Roman city</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Martin Millett</div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">View of the city of York in England including walls and cathedral</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br />&#13; ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>. Images, including our videos, are Copyright © ֱ̽ of Cambridge and licensors/contributors as identified.  All rights reserved. We make our image and video content available in a number of ways – as here, on our <a href="/">main website</a> under its <a href="/about-this-site/terms-and-conditions">Terms and conditions</a>, and on a <a href="/about-this-site/connect-with-us">range of channels including social media</a> that permit your use and sharing of our content under their respective Terms.</p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Tue, 01 Mar 2022 08:00:00 +0000 ta385 230241 at Evidence of a Roman crucifixion found in Cambridgeshire /stories/romancrucifixion <div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p> ֱ̽finding in the village of Fenstanton is the only known example of a Roman crucifixion anywhere in the British Isles, and perhaps the best preserved in the world.</p> </p></div></div></div> Wed, 08 Dec 2021 13:42:02 +0000 fpjl2 228641 at ֱ̽city rises: Cambridge archaeologists reveal an entire Roman city without digging /stories/roman-city-rises <div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>For the first time, a team of archaeologists has succeeded in mapping a complete Roman city, Falerii Novi in Italy, using advanced ground penetrating radar. <span data-offset-key="3055:1" data-slate-fragment="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">Their</span><span data-offset-key="3055:1" data-slate-fragment="JTdCJTIyb2JqZWN0JTIyJTNBJTIyZG9jdW1lbnQlMjIlMkMlMjJkYXRhJTIyJTNBJTdCJTdEJTJDJTIybm9kZXMlMjIlM0ElNUIlN0IlMjJvYmplY3QlMjIlM0ElMjJibG9jayUyMiUyQyUyMnR5cGUlMjIlM0ElMjJwYXJhZ3JhcGglMjIlMkMlMjJpc1ZvaWQlMjIlM0FmYWxzZSUyQyUyMmRhdGElMjIlM0ElN0IlMjJjbGFzc05hbWUlMjIlM0ElMjJUaGVtZS1MZWFkSW4lMjBUaGVtZS1UZXh0U2l6ZS14eHNtYWxsJTIwJTIyJTdEJTJDJTIybm9kZXMlMjIlM0ElNUIlN0IlMjJvYmplY3QlMjIlM0ElMjJ0ZXh0JTIyJTJDJTIybGVhdmVzJTIyJTNBJTVCJTdCJTIyb2JqZWN0JTIyJTNBJTIybGVhZiUyMiUyQyUyMnRleHQlMjIlM0ElMjJBJTIyJTJDJTIybWFya3MlMjIlM0ElNUIlNUQlN0QlMkMlN0IlMjJvYmplY3QlMjIlM0ElMjJsZWFmJTIyJTJDJTIydGV4dCUyMiUzQSUyMnJjaGFlb2xvZ2lzdHMlMjBoYXZlJTIwcmV2ZWFsZWQlMjBhbiUyMGVudGlyZSUyMFJvbWFuJTIwY2l0eSUyMHdpdGhvdXQlMjBhbnklMjBkaWdnaW5nLiUyMFRoZWlyJTIwYXBwcm9hY2glMjBjb3VsZCUyMHJldm9sdXRpb25pc2UlMjB0aGUlMjBzdHVkeSUyMG9mJTIwYW5jaWVudCUyMHNldHRsZW1lbnRzLiUyMiUyQyUyMm1hcmtzJTIyJTNBJTVCJTdCJTIyb2JqZWN0JTIyJTNBJTIybWFyayUyMiUyQyUyMnR5cGUlMjIlM0ElMjJib2xkJTIyJTJDJTIyZGF0YSUyMiUzQSU3QiU3RCU3RCUyQyU3QiUyMm9iamVjdCUyMiUzQSUyMm1hcmslMjIlMkMlMjJ0eXBlJTIyJTNBJTIyZm9yZWdyb3VuZENvbG9yX19UaGVtZS1Gb3JlZ3JvdW5kQ29sb3ItOSUyMiUyQyUyMmRhdGElMjIlM0ElN0IlN0QlN0QlNUQlN0QlMkMlN0IlMjJvYmplY3QlMjIlM0ElMjJsZWFmJTIyJTJDJTIydGV4dCUyMiUzQSUyMiUyMCUyMCUyMiUyQyUyMm1hcmtzJTIyJTNBJTVCJTVEJTdEJTVEJTdEJTVEJTdEJTVEJTdE"> approach could revolutionise the study of ancient settlements.</span></p> </p></div></div></div> Tue, 09 Jun 2020 05:30:00 +0000 ta385 215202 at Epic issues: epic poetry from the dawn of modernity /research/features/epic-issues-epic-poetry-from-the-dawn-of-modernity <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/research/features/urnbig.jpg?itok=SKea3D8N" alt="" title="Achilles killing Penthesilea, as described in the epic poem Posthomerica written by Quintus of Smyrna in the 3rd century CE; detail from a wine jar made in Athens around 535 BC, Credit: © ֱ̽Trustees of the British Museum" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>Maybe it was the language, architecture, codified legal system, regulated economy, military discipline – or maybe it really was public safety and aqueducts. Whatever the Romans did for us, their reputation as a civilising force who brought order to the western world has, in the public imagination, stood the test of time remarkably well. It is especially strong for an Empire that has been battered by close historical scrutiny for almost 2,000 years. </p> <p> ֱ̽reputation, of course, has more than a grain of truth to it – but the real story is also more complex. Not only did the Empire frequently endure assorted forms of severely uncultured political disarray, but for the kaleidoscope of peoples under its dominion, Roman rule was a varied experience that often represented an unsettling rupture with the past. As Professor Mary Beard put it in her book <em>SPQR</em>: “there is no single story of Rome, especially when the Roman world had expanded far outside Italy.” </p> <p>So perhaps another way to characterise the Roman Empire is as one of cultures colliding – a swirling melting pot of ideas and beliefs from which concepts that would define western civilisation took form. This is certainly closer to the view of Tim Whitmarsh, the A. G. Leventis Professor of Greek Culture at Cambridge, who is the principal investigator on a project that has examined Greek epic poetry during this period.</p> <p>“This is perhaps the most important period for thinking about where European culture comes from,” says Whitmarsh. “We really are at the dawn of modernity. To tell the story of an Empire which remains the model for so many forms of international power is to tell the story of what we became, and what we are.”</p> <p>His interest in the Greek experience stems partly from the fact that few cultures under Roman rule can have felt more keenly the fissure it wrought between present and past. In political terms, Ancient Greek history arguably climaxed with the empires established in the aftermath of the conquests of Alexander the Great (356–323 BCE). In the period when this poetry was written, from the first to the sixth centuries CE, the Greek world had been annexed by the Romans.</p> <p>Yet the relationship between the two cultures was ambiguous. Greek-speaking peoples were subordinate in one sense, but their language continued to dominate the eastern Empire – increasingly so as it became a separate entity centred on Byzantium, as Christianity emerged and as the Latin-speaking west declined. Greek remained the primary medium of cultural transmission through which these changes were expressed. Greek communities therefore found themselves linked closely to their past, while also coming to terms with a fast-metamorphosing future.</p> <p>Epic poetry, which many associate with Homer’s tales of heroic adventure, seems an odd choice of lens through which to examine the transformation. Whitmarsh thinks its purpose has been misunderstood.</p> <p>“In the modern West, we often get Greek epic wrong by thinking about it as a repository for ripping yarns,” he says. “Actually, it was central to their sense of how the world operated. This wasn’t a world of scripture; it wasn’t primarily one of the written word at all. ֱ̽vitality of the spoken word, in the very distinctive hexametrical pattern of the poems, was the single way they had of indicating authoritative utterance.”</p> <p>It is perhaps the most important tool available for understanding how the Greeks navigated their loss of autonomy under the Romans and during the subsequent rise of Christianity. In recent years, such questions have provoked a surge of interest in Greek literature during that time, but epic poetry itself has largely been overlooked, perhaps because it involved large, complex texts around which it is difficult to construct a narrative.</p> <p>Funded by the Arts and Humanities Research Council, Whitmarsh and his collaborators set out to systematically analyse the poetry and its cultural history for the first time. “We would argue it’s the greatest gap in ancient cultural studies – one of the last uncharted territories of Greek literature,” he adds.</p> <p> ֱ̽final outputs will include books and an edited collection of the poems themselves, but the team started simply by establishing “what was out there”. Astonishingly, they uncovered evidence of about a thousand texts. Some remain only as names, others exist in fragments; yet more are vast epics that survive intact. Together, they show how the Greeks were rethinking their identity, both in the context of the time, and that of their own past and its cultural legacy.</p> <p><img alt="" src="/sites/www.cam.ac.uk/files/inner-images/010118_british-library-urn_medium.jpg" style="width: 300px; height: 386px; float: right;" /></p> <p>A case in point is Quintus of Smyrna, author of the <em>Posthomerica</em> – a deceptive title since chronologically it fills the gap between Homer’s <em>Iliad</em> and <em>Odyssey</em>, even though it was written later. Quintus’ style was almost uber-Homeric, elaborately crafted to create an almost seamless connection with the past. Yet there is evidence that, having done so, he also deliberately disrupted it. “His use of similes is quite outrageous by Homer’s standards, for example,” Whitmarsh says. ֱ̽reason could be Quintus’ painful awareness of a tension between the Homeric past and his own present. Conflicted identity is a theme that connects many poems of the period. ֱ̽poet Oppian, for instance, who wrote an epic on fish and fishing, provides us with an excellent example of how his generation was seeking to reconceive Greek selfhood in the shadow of Rome.</p> <p> ֱ̽work ostensibly praises the Emperor as master over land and sea – a very Roman formula. Oppian then sabotages his own proclamation by questioning whether anyone truly can command the sea’s depths, a feat that must surely be a journey of the intellect and imagination. Having acknowledged the Emperor’s political power, he was, in effect, implying that the Greeks were perhaps greater masters of knowledge. </p> <p> ֱ̽researchers expected to find that this tension gave way to a clearer, moralistic tone, with the rise of Christianity. Instead, they found it persisted. Nonnus of Panopolis, for example, wrote 21 books paraphrasing the Gospel of St John, but not, it would seem, from pure devotion, since he also wrote 48 freewheeling stories about the Greek god Dionysus. Collectively, this vast assemblage evokes parallels between the two, not least because resurrection themes emerge from both. Nonnus also made much of the son of God’s knack for turning water into wine – a subject that similarly links him to Dionysus, god of winemaking.</p> <p>Beyond Greek identity itself, the poetry hints at shifting ideas about knowledge and human nature. Oppian’s poetic guide to fishing, for instance, is in fact much more. “I suspect most fishermen and fisherwomen know how to catch fish without reading a Greek epic poem,” Whitmarsh observes. In fact, the poem was as much about deliberately stretching the language conventionally used to describe aquaculture, and through it blurring the boundaries between the human and non-human worlds.</p> <p>Far from just telling stories, then, these epic poems show how, in an era of deeply conflicted identities, Greek communities tried to reorganise their sense of themselves and their place in the world, and give this sense a basis for future generations. Thanks to Whitmarsh and his team, they can now be read, as they were meant to be, on such terms. </p> <p>“ ֱ̽poetry represents a cultural statement from the time, but it is also trying to be timeless,” he adds. “Each poem was trying to say something about its topic for eternity. ֱ̽fact that we are still reading them today, and finding new things to say about them, is a token of their success.”</p> <p><em>Inset image: Wine jar made in Athens around 535 BC. © ֱ̽Trustees of the British Museum.</em></p> </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>Epic poems telling of cultures colliding, deeply conflicted identities and a fast-changing world were written by the Greeks under Roman rule in the first to the sixth centuries CE. Now, the first comprehensive study of these vast, complex texts is casting new light on the era that saw the dawn of Western modernity.  </p> </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">Each poem was trying to say something about its topic for eternity. ֱ̽fact that we are still reading them today, and finding new things to say about them, is a token of their success</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Tim Whitmarsh</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/" target="_blank">© ֱ̽Trustees of the British Museum</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Achilles killing Penthesilea, as described in the epic poem Posthomerica written by Quintus of Smyrna in the 3rd century CE; detail from a wine jar made in Athens around 535 BC</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br /> ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>. Images, including our videos, are Copyright © ֱ̽ of Cambridge and licensors/contributors as identified.  All rights reserved. We make our image and video content available in a number of ways – as here, on our <a href="/">main website</a> under its <a href="/about-this-site/terms-and-conditions">Terms and conditions</a>, and on a <a href="/about-this-site/connect-with-us">range of channels including social media</a> that permit your use and sharing of our content under their respective Terms.</p> </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Thu, 02 Aug 2018 10:00:42 +0000 Anonymous 199362 at Archaeologists uncover rare 2,000-year-old sundial during Roman theatre excavation /research/news/archaeologists-uncover-rare-2000-year-old-sundial-during-roman-theatre-excavation <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/research/news/sundial.jpg?itok=4kxIqRKZ" alt=" ֱ̽sundial pictured after excavation" title=" ֱ̽sundial pictured after excavation, Credit: Alessandro Launaro" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>Not only has the sundial survived largely undamaged for more than two millennia, but the presence of two Latin texts means researchers from the ֱ̽ of Cambridge have been able to glean precise information about the man who commissioned it.</p>&#13; &#13; <p> ֱ̽sundial was found lying face down by students of the Faculty of Classics as they were excavating the front of one of the theatre’s entrances along a secondary street. It was probably left behind at a time when the theatre and town was being scavenged for building materials during the Medieval to post-Medieval period. In all likelihood it did not belong to the theatre, but was removed from a prominent spot, possibly on top of a pillar in the nearby forum.</p>&#13; &#13; <p>“Less than a hundred examples of this specific type of sundial have survived and of those, only a handful bear any kind of inscription at all – so this really is a special find,” said Dr Alessandro Launaro, a lecturer at the Faculty of Classics at Cambridge and a Fellow of Gonville &amp; Caius College.</p>&#13; &#13; <p>“Not only have we been able to identify the individual who commissioned the sundial, we have also been able to determine the specific public office he held in relation to the likely date of the inscription.”</p>&#13; &#13; <p> ֱ̽base prominently features the name of M(arcus) NOVIUS M(arci) F(ilius) TUBULA [Marcus Novius Tubula, son of Marcus], whilst the engraving on the curved rim of the dial surface records that he held the office of TR(ibunus) PL(ebis) [Plebeian Tribune] and paid for the sundial D(e) S(ua) PEC(unia) (with his own money).</p>&#13; &#13; <p> ֱ̽nomen Novius was quite common in Central Italy. On the other hand, the cognomen Tubula (literally ‘small trumpet’) is only attested at Interamna Lirenas.</p>&#13; &#13; <p>But even more striking is the specific public office Tubula held in relation to the likely date of the inscription. Various considerations about the name of the individual and the lettering style comfortably place the sundial’s inscription at a time (mid 1st c. BC onwards) by which the inhabitants of Interamna had already been granted full Roman citizenship.</p>&#13; &#13; <p>“That being the case, Marcus Novius Tubula, hailing from Interamna Lirenas, would be a hitherto unknown Plebeian Tribune of Rome,” added Launaro. “ ֱ̽sundial would have represented his way of celebrating his election in his own hometown.”</p>&#13; &#13; <div class="sketchfab-embed-wrapper"><iframe allowfullscreen="" allowvr="" frameborder="0" height="480" mozallowfullscreen="true" onmousewheel="" scrolling="no" src="https://sketchfab.com/models/5fca8e8414984f988656e221acf44e8f/embed" webkitallowfullscreen="true" width="570"></iframe></div>&#13; &#13; <p>Carved out from a limestone block (54 x 35 x 25 cm), the sundial features a concave face, engraved with 11 hour lines (demarcating the twelve horae of daylight) intersecting three day curves (giving an indication of the season with respect to the time of the winter solstice, equinox and summer solstice). Although the iron gnomon (the needle casting the shadow) is essentially lost, part of it is still preserved under the surviving lead fixing. This type of ‘spherical’ sundial was relatively common in the Roman period and was known as hemicyclium.</p>&#13; &#13; <p>“Even though the recent archaeological fieldwork has profoundly affected our understanding of Interamna Lirenas, <a href="/research/news/buried-roman-theatre-sets-the-stage-for-new-understanding-of-ancient-town">dispelling long-held views about its precocious decline and considerable marginality</a>, this was not a town of remarkable prestige or notable influence,” added Launaro. “It remained an average, middle-sized settlement, and this is exactly what makes it a potentially very informative case-study about conditions in the majority of Roman cities in Italy at the time”.<img alt="" src="/files/inner-images/excavation-findspot_inset.jpg" style="width: 250px; height: 250px; margin: 5px; float: right;" /></p>&#13; &#13; <p>“In this sense, the discovery of the inscribed sundial not only casts new light on the place Interamna Lirenas occupied within a broader network of political relationships across Roman Italy, but it is also a more general indicator of the level of involvement in Rome’s own affairs that individuals hailing from this and other relatively secondary communities could aspire to.”</p>&#13; &#13; <p><a href="https://www.classics.cam.ac.uk/research/projects/interamna-lirenas"> ֱ̽ongoing archaeological project at Interamna Lirenas</a> continues to add new evidence about important aspects of the Roman civilization, stressing the high levels of connectivity and integration (political, social, economic and cultural) which it featured.</p>&#13; &#13; <p> ֱ̽2017 excavation, directed by Dr Launaro (Gonville &amp; Caius College) and Professor Martin Millett (Fitzwilliam College), both from the Faculty of Classics, in partnership with Dr Giovanna Rita Bellini of the Italian Soprintendenza Archeologia, Belle Arti e Paesaggio per le Province di Frosinone, Latina e Rieti, is part of a long-standing collaboration with the British School at Rome and the Comune of Pignataro Interamna and has benefitted from the generous support of the Isaac Newton Trust and Mr Antonio Silvestro Evangelista.</p>&#13; &#13; <p><em>Inset image:  ֱ̽find spot near the former roofed theatre in Interamna Lirenas</em></p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>A 2,000-year-old intact and inscribed sundial – one of only a handful known to have survived – has been recovered during the excavation of a roofed theatre in the Roman town of Interamna Lirenas, near Monte Cassino, in Italy.</p>&#13; </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">“Not only have we been able to identify the individual who commissioned the sundial, we have also been able to determine the specific public office he held in relation to the likely date of the inscription”</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Alessandro Launaro</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/" target="_blank">Alessandro Launaro</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even"> ֱ̽sundial pictured after excavation</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br />&#13; ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>. For image use please see separate credits above.</p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Wed, 08 Nov 2017 11:56:09 +0000 sjr81 193012 at